Wednesday, November 30, 2011

[Z742.Ebook] PDF Ebook How to be a conservative, by Roger Scruton

PDF Ebook How to be a conservative, by Roger Scruton

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How to be a conservative, by Roger Scruton

What does it mean to be a conservative in an age so sceptical of conservatism? How can we live in the presence of our 'canonized forefathers' at a time when their cultural, religious and political bequest is so routinely rejected? With soft left-liberalism as the dominant force in Western politics, what can conservatives now contribute to public debate that will not be dismissed as pure nostalgia? In this highly personal and witty book, renowned philosopher Roger Scruton explains how to live as a conservative in spite of the pressures to exist otherwise. Drawing on his own experience as a counter-cultural presence in public life, Scruton argues that while humanity might survive in the absence of the conservative outlook, it certainly won't flourish. How to be a conservative is not only a blueprint for modern conservatism. It is a heartfelt appeal on behalf of old fashioned decencies and values, which are the bedrock of our weakened, but still enduring civilization.

  • Sales Rank: #154030 in eBooks
  • Published on: 2014-09-11
  • Released on: 2014-09-11
  • Format: Kindle eBook

Review
Roger Scruton is that rarest of things: a first-rate philosopher who actually has a philosophy...one of the few intellectually authoritative voices in modern British conservatism -- Jesse Norman Spectator Roger Scruton is one of our great men of speculation -- David Willetts Standpoint A persuasive and poignant little book -- Ferdinand Mount The Oldie Elegantly written and thought-provoking ... I loved this book, especially the way it seems to be aimed as much at the heart as the mind. On both it has a cleansing effect , the equivalent of eating a tart lemon sorbet -- Nigel Farndale Country Life

About the Author
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Most helpful customer reviews

10 of 11 people found the following review helpful.
LOTS OF GOOD THINKING
By John P Boutin
A lot of good thought in the book. Not a wildly right-wing manifesto, but a good "loyal opposition" book explaining why despite the good points of both liberals and conservatives, the right end view turns out to be correct. Also explains the difference between modern conservatism and traditional conservatism.

16 of 20 people found the following review helpful.
Superb Short Primer on What it Means to Be a Conservative
By Ted Smith
This a superb short book on the fundamental principles of conservatism, written to contrast how conservatism relates to other modern "isms": nationalism, socialism, capitalism, liberalism, multiculturalism, environmentalism, and internationalism.

Scruton is the polar opposite of our friend below who gave this book a one star rating. Where the reviewer is bigoted and judgmental, Scruton is fair, thoughtful, and lucid.

Read the book with an open mind: you'll agree with me.

6 of 7 people found the following review helpful.
An encompassing philosophy for an ecologically mindful conservative
By Nathan P. Gilmour
I got to interview Scruton on my podcast Christian Humanist Profiles, and I couldn't have been more impressed. My take on the GOP and on Islam certainly differ from Scruton's, and I'm not as sure as he is that the state is as ontologically different from the market, but the fact that he disagrees in a reasonable manner sets him apart from far too much of contemporary politics. His focus on environmentalism and on nationalist alternatives to (toothless) international treaties are particularly good here.

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[W149.Ebook] Fee Download A Budgeting Guide for Local Government (Municipal Management Series), by Robert L. Bland

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A Budgeting Guide for Local Government (Municipal Management Series), by Robert L. Bland

A Budgeting Guide for Local Government (Municipal Management Series), by Robert L. Bland



A Budgeting Guide for Local Government (Municipal Management Series), by Robert L. Bland

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A Budgeting Guide for Local Government (Municipal Management Series), by Robert L. Bland

This completely revised second edition provides a contemporary and strategic perspective on budgetingas it has evolved from an accounting function to a tool for introducing new management strategies and practices to local government.

  • Sales Rank: #726261 in Books
  • Brand: Brand: ICMA Press
  • Published on: 2007-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 7.75" w x .50" l, 1.20 pounds
  • Binding: Paperback
  • 199 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

4 of 4 people found the following review helpful.
Not so good for governmental accounting
By Fred Coulter
This is the second edition of Bland's Budgeting Guide for Local Government. (There's now a third edition available from the ICMA. Unfortunately, being new there are no used copies available. If you can get a friend who's a member of the ICMA order it for you, you'll save some money.)

I've been working in the budgeting office of a local government for eight years. (Before that, finance, auditing, and private accounting.) I bought the book as part of my attempt to refocus on budgeting in general rather than how we do things at my job. Additionally, I'm considering entering a Ph.D. program in Public Affairs in the fall,. As such, I'm going throught the Public Budgeting Theory syllabus, part of the Foundations of Public Administration series of readings on the Public Administration Review and American Society of Public Adminstrator's web site.

The book does a good job of setting the stage and explaining the budget cycle in english. It's not too dry or pedantic. My issues with the book only come when the author moves away from budgeting and discusses Accounting and Financial Reporting (chapter 5 of 7). In this chapter, he makes a couple of statements that are incorrect. While the fields of budgeting and financial reporting have a lot in common, they are not the same.

First, he defines depreciation as the decrease in the value of fixed assets. While this may be true for non-accountants, there is a technical definition to depreciation which is not the same. Depreciation, to an accountant, has nothing to do with the value of the asset. Depreciation, to an accountant, is an allocation of the cost of an asset across the life of an asset. As an example, when a non-accountant talks about the depreciation of a new car, they're talking about the fact that the value of the diminishes by 25% when you drive it off the lot. Why? Because if you tried to sell it immediately after buying it, then you'd loose a bunch of money. But to an accountant, the issues are (a) how much did you pay for it, (b) how long are you going to use it, and (c) how much will it be worth when you're done using it. (And a lot of accountants just assume $0 for c; it makes the math easier.) If a car lasts ten years (and you use straight line depreciation), at the end of one year, you've only "used" 10% of the cost of the car. Value has nothing to do with it.

The other issue I have is that he states that for governments, accrual accounting does not provide useful information. The Governmental Accounting Standards Board (GASB), the people who define accounting standards for local governments, would strongly disagree with that statement. The biggest single change in accounting standards for governments over the past several decades is GASB 34, which required accrual accounting based financial statements. If accrual accounting does not provide useful information, then why on Earth would GASB 34 have been issued? Perhaps the author does not feel that GASB 34 was a good idea. If so, then he could say that the use of accrual accounting is controversial. But an aboslute statement that accrual accounting does not provide useful information does not belong in a text book.

My recommendation it to buy the book, but to skip chapter five. It is too shallow a discussion of governmental accounting and reporting to do the subject justice.

2 of 2 people found the following review helpful.
Good Book
By Kindle Customer
This book is good if you are into financing and budgeting. I learned some very thorough information about government funding and budgeting by reading this book. Very detailed and very accurate information.

2 of 2 people found the following review helpful.
Valuable Information
By Felicia Smith
Basically, it provides essential information about local government and budgeting. Easy to read and comprehend. The book is a valuable resource as far as I'm concern.

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Tuesday, November 22, 2011

[N267.Ebook] Fee Download Sustainable Thermal Storage Systems Planning Design and Operations, by Lucas Hyman

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Sustainable Thermal Storage Systems Planning Design and Operations, by Lucas Hyman

A practical guide to SUSTAINABLE THERMAL STORAGE SYSTEMS

Sustainable Thermal Storage Systems: Planning, Design, and Operations offers proven techniques for reducing energy costs, on-peak demand, capital costs, and pollution using thermal storage systems. Written by an expert in the field, this book discusses sustainability requirements, advantages and disadvantages of various systems, and the relationship among loads, equipment choices, and system selection. Real-world case studies examine chilled water thermal storage and ice thermal storage. Tips for operating a thermal storage plant to maximize investment are also provided in this valuable resource.

Comprehensive coverage includes:

  • Applicability and types of thermal storage systems
  • Sensible thermal storage systems
  • Latent thermal storage systems
  • Heating storage systems
  • Thermal storage system sizing
  • Conducting a feasibility study
  • Estimating energy use and analyzing costs
  • Thermal storage design applications
  • Thermal storage tank specifications
  • Operating and control strategies
  • Testing and commissioning requirements
  • Sustainable operations

  • Sales Rank: #1060614 in Books
  • Published on: 2011-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .97" w x 7.60" l, 1.60 pounds
  • Binding: Hardcover
  • 320 pages

About the Author

Lucas B. Hyman, P.E., LEED-AP, is President, Goss Engineering, Inc. A professional mechanical engineer with nearly 30 years' experience, he has planned and designed thermal energy storage (TES) systems, central heating and cooling plants, cogeneration plants, and other mechanical systems. Hyman has participated as a mechanical engineer member in value engineering project reviews, conducted and led forensic engineering studies, and served as an expert witness. He is coauthor of Sustainable On-Site CHP Systems: Design, Construction, and Operations (2009).

Most helpful customer reviews

15 of 15 people found the following review helpful.
An All in One Guide to Thermal Energy Storage
By BC's Book Review
To preface, I've been working in sales for a tank manufacturer for the past year and welded steel chilled water thermal energy storage (TES) tanks are one of the products I focus on. This made me very familiar with much of the content, but new to several chapters as well.

I found this text by Lucas Hyman to be a refreshingly quick read for technical literature. The content is very thorough and exceptionally organized. Almost every chapter can stand on its own (which makes for some redundancy), but allows for quick and easy reference. The chapters progress from the origins of thermal storage and close out with case studies in the final couple of chapters, which really help tie everything together.

If you're new to TES, this book is an excellent way to build some basic knowledge. If you're experienced with TES, this book is a great reference to have on your shelf. I would recommend owning a copy either way.

In conformance with Amazon's Review Guidelines, I am clearly and conspicuously disclosing that I received a free copy of the book in exchange for my review of it. That the copy was free in no way influenced what I typed in the above review.

12 of 12 people found the following review helpful.
A Solid Resource for Engineers, Operators, and Managers
By Tiki's Buddy
In fifteen chapters, Lucas Hyman has gathered and presented a solid resource for Engineers, Operators, and Managers of thermal plants. The subject is treated with a number of solid, real world examples. As a practicing engineer with 22 years experience in constructing, operating, and expanding thermal storage systems, I found several new items of interest and value. In particular, I was interested in the application discussion for turbine inlet cooling and the short history of thermal storage included in chapter one.
Chapter One is an Overview of Thermal Storage, which brings the reader rapidly up to speed on the subject.
Chapter Two discusses applicability of Thermal Storage
Chapter Three covers several Types of Thermal Storage Systems
Chapter Four covers Sensible Thermal Storage Systems
Chapter Five covers Latent Thermal Storage Systems
Chapter Six covers Heating Thermal Storage Systems and was written by a different author.
Chapter Seven discusses Thermal Storage Sizing
Chapter Eight is about Conducting a Thermal Storage Feasibility Study and will be of particular interest to Facility Managers
Chapter Nine discusses Thermal Storage Design Details and will be helpful the Engineer not familiar with the many types available.
Chapter Ten gives a solid set of Thermal Storage Tank Specifications for both steel and concrete construction.
Chapter Eleven discusses Operating and Control strategies for chilled water systems.
Chapter Twelve discusses commissioning the tank to meet the Owner's Performance Requirements (OPR).
Chapter Thirteen discusses sustainability in Thermal Storage Operation
Chapter Fourteen is a thoroughgoing case study of a sensible thermal storage application to a major hospital
Chapter Fifteen is another excellent case study of an ice-based thermal storage plant for an entertainment venue.
As a hobbyist collector of engineering texts, I feel compelled to mention that the quality of the binding, and paper is not up to the standards of older publications by McGraw-Hill. However, it is in line with the quality of more recent publications. The shift to glued bindings happened some years ago and is a pity; it negatively influences the useful lifespan of the book and makes laying the book open on your desk more difficult (especially with larger volumes). It would be a good thing if McGraw-Hill were to return to sewn signatures, rounded corners, and edge dressing as in their older publications. I have some McGraw-Hill publications that are 70 years old that are more well assembled than more recent efforts. Nonetheless, the publishing quality does not detract from the information, it only affects its durability. The book is published using acid free paper.
Overall, the book is a worthy purchase for anyone involved in larger sized cooling and heating systems or that would like to expand their knowledge of the broad world of energy engineering.
In conformance with Amazon's Review Guidelines, I am clearly and conspicuously disclosing that I received a free copy of the book in exchange for my review of it. That the copy was free in no way influenced what I typed in the above review.

11 of 11 people found the following review helpful.
Thermal Energy Storage for Dummies, and for Experts
By TES Advocate
Lucas Hyman's new book, "Sustainable Thermal Storage Systems" is a highly valuable addition to the available literature on commercial Thermal Energy Storage (TES) technology, as applied to HVAC (heating, ventilating & air-conditioning) systems.

The book is well organized, written with clarity suited to either the experienced or novice practitioner in the field, and extremely thorough.

If I may state three (rather minor) criticisms, they are:
1) insufficient references in many of the individual chapters (for readers interested to explore specific areas in more detail),
2) excessive repetition of some concepts and details which appear in two or even three chapters (although this does help to make each chapter stand as an independent document for those not interested to explore the full book), and
3) the seemingly obligatory current need to use the word "sustainable" in the book's title. This politically correct word-du-jour can turn-off some readers as fast as it can attract others. (However, I am more tolerant of its use here than in many other instances, as TES, when properly applied, provides both energy/environmental AND economic benefits, thus in my opinion making TES truly sustainable. This is in contrast to so many currently popular "sustainable" energy technologies which, though they are efficient and relatively environmentally benign, are so far from being economically justified that realistically they must be considered inherently UNsustainable.)

Nevertheless, the book can serve as a helpful reference and guide to those involved in considering, designing, owning, and operating TES systems for HVAC applications.

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Saturday, November 19, 2011

[T376.Ebook] Ebook Meaning in Spinoza's Method, by Aaron V. Garrett

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Meaning in Spinoza's Method, by Aaron V. Garrett

Readers of Spinoza's philosophy have often been discouraged, as well as fascinated, by the geometrical method which he employs in his masterpiece Ethics. Aaron Garrett examines this method and suggests that Spinoza intended not only to make claims and propositions but also to transform readers by enabling them to view themselves and the world in a different way. This original and controversial book will be of interest to historians of philosophy.

  • Sales Rank: #5510910 in Books
  • Published on: 2007-08-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .59" w x 5.98" l, .84 pounds
  • Binding: Paperback
  • 256 pages

Review
'... there are some very illuminating aspects of this book.' British Journal for the History of Philosophy

'In his book, Meaning in Spinoza's Method, Aaron Garrett's guiding aim is to investigate the connections between method and content in Spinoza's philosophy, and the results are stimulating and often surprising. ... I would say that this book is the most sustained and historically illuminating treatment of Spinoza's method of which I am aware. The range and depth of Garrett's survey of philosophers who influenced or may have influenced Spinoza on method is very impressive. ... [an] illuminating and fertile account of Spinoza's method.' Mind

'For many readers, the most admirable thing about this admirable book will be its successful depiction of Spinozism as a brilliant synthesis of competing pressures in early modern thought.' Journal of the History of Philosophy

About the Author
Aaron Garrett is Assistant Professor at Boston University. He has contributed to a number of publications and is the editor of Francis Hutcheson, An Essay on the Nature and Conduct of the Passions and Affections (2002) and Animal Rights and Souls in the Eighteenth Century (2000).

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Friday, November 18, 2011

[X839.Ebook] Free PDF Kamasutra Gay, by Alicia Gallotti

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Kamasutra Gay, by Alicia Gallotti

  • Published on: 2000
  • Binding: Paperback
  • 229 pages

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[M861.Ebook] Fee Download Integrated Analog-To-Digital and Digital-To-Analog Converters (The Kluwer International Series in Engineering and Computer Science), by Ru

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Analog-to-digital (A/D) and digital-to-analog (D/A) converters provide the link between the analog world of transducers and the digital world of signal processing, computing and other digital data collection or data processing systems. Several types of converters have been designed, each using the best available technology at a given time for a given application. For example, high-performance bipolar and MOS technologies have resulted in the design of high-resolution or high-speed converters with applications in digital audio and video systems. In addition, high-speed bipolar technologies enable conversion speeds to reach the gigaHertz range and thus have applications in HDTV and digital oscilloscopes.
Integrated Analog-to-Digital and Digital-to-Analog Converters describes in depth the theory behind and the practical design of these circuits. It describes the different techniques to improve the accuracy in high-resolution A/D and D/A converters and also special techniques to reduce the number of elements in high-speed A/D converters by repetitive use of comparators.
Integrated Analog-to-Digital and Digital-to-Analog Converters is the most comprehensive book available on the subject. Starting from the basic elements of theory necessary for a complete understanding of the design of A/D and D/A converters, this book describes the design of high-speed A/D converters, high-accuracy D/A and A/D converters, sample-and-hold amplifiers, voltage and current reference sources, noise-shaping coding and sigma-delta converters.
Integrated Analog-to-Digital and Digital-to-Analog Converters contains a comprehensive bibliography and index and also includes a complete set of problems. This book is ideal for use in an advanced course on the subject and is an essential reference for researchers and practicing engineers.

  • Sales Rank: #2198879 in Books
  • Brand: Brand: Kluwer
  • Published on: 1994-01-31
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.38" h x 6.60" w x 9.62" l, 2.14 pounds
  • Binding: Hardcover
  • 548 pages
Features
  • Used Book in Good Condition

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4 of 5 people found the following review helpful.
Leading book on data converter by a leading expert
By A Customer
One of the few books in the data converter field. I used this book when I took an advance course on analog circuit design and found this book to be very usefool. This book contain a good amount of information on data converter and cover almost every important areas - i.e specification, testing, High-speed/high accuracy architecture, sample and hold circuit, compartors, noise shaping coding, voltage and current reference sources and also contain a chapter on sigma-delta converters that can lead to more advanced study for IEEE books on oversampled data converters. If you are an analog circuit designer or want to be an analog circuit designer this book will be a good reference for data converter circuit.

0 of 2 people found the following review helpful.
Really good book
By A Customer
Great book. Must for any one working on ADCs and DACs.

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Friday, November 11, 2011

[R825.Ebook] Download PDF Programming And Problem Solving With C++: Comprehensive, by Nell Dale, Chip Weems

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The best-selling Programming and Problem Solving with C++, now in it's Sixth Edition, remains the clearest introduction to C++, object-oriented programming, and software development available. Renowned author team Nell Dale and Chip Weems are careful to include all topics and guidelines put forth by the ACM/IEEE to make this text ideal for the one- or two-term CS1 course. Their philosophy centers on making the difficult concepts of computer science programming accessible to all students, while maintaining the breadth of detail and topics covered. Key Features: -The coverage of advanced object-oriented design and data structures has been moved to later in the text. -Provides the highly successful concise and student-friendly writing style that is a trademark for the Dale/Weems textbook series in computer science. -Introduces C++ language constructs in parallel with the appropriate theory so students see and understand its practical application. -Strong pedagogical elements, a hallmark feature of Dale/Weems' successful hands-on teaching approach, include Software Maintenance case studies, Problem-Solving case studies, Testing & Debugging exercises, Exam Preparation exercises, Programming Warm-up exercises, Programming Problems, Demonstration Projects, and Quick Check exercises. -A complete package of student and instructor resources include a student companion website containing all the source code for the programs and exercises in the text, additional appendices with C++ reference material and further discussion of topics from the text, and a complete digital lab manual in C++. Instructors are provided all the solutions to the exercises in the text, the source code, a Test Bank, and PowerPoint Lecture Outlines organized by chapter.

  • Sales Rank: #2898661 in Books
  • Published on: 2013-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Paperback
  • 1068 pages

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3 of 4 people found the following review helpful.
Programming And Problem Solving Review
By Asim
I like that book. This book is more theoretical. Every chapter has a case study which will help to understand the chapter. There is one deficiency in this book that it will not tell us line by line code details as compared to other books which is needed for a new programmer. This edition also give header file details in the end.

1 of 2 people found the following review helpful.
Digital Copy needs to include answers and examples of complete ...
By Matthew
Digital Copy needs to include answers and examples of complete exercises and practice sections to ensure self-taught students are fully taken care of.

0 of 0 people found the following review helpful.
Five Stars
By Deborah E.
As described.

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Thursday, November 10, 2011

[K271.Ebook] Free Ebook The Stage Manager's Toolkit: Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performanc

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As a Stage Manager, you are responsible for organizing rehearsals, running performances, and keeping everyone and everything on track and in sync. To do the job well, you need to be a communication wizard―able to collect a wide range of details and share them as effectively as possible. The Stage Manger’s Toolkit is more than another overview book which generalizes how to be a Stage Manager. It presents the day-to-day duties in detail―discussing not only what to do but also why. Focusing on communication best practices, the book explores objectives, paperwork, and the questions that need to be asked in order to ensure a smooth production whether on Broadway, at a university, or somewhere in between.

  • Introduces strategies for sharing information both in person and in writing

  • Explores how document design can enhance the accessibility and effectiveness of your reports, charts, and lists

  • Contains principles for web-based information sharing as well as hard-copy paperwork

  • Provides customizable paperwork templates on the accompanying website, allowing you to put the ideas to work on your own show

Other features:

Organized based on the chronology of a typical theatre production: pre-production work, rehearsals, the tech period, performances, and post-production duties.  In each section, the book outlines the objectives for the stage manager and the communication techniques that will ensure success.

Provides examples of paperwork a stage manager commonly works with, including variations for plays and musicals, shortcuts for shows on an abbreviated time table, and strategies for maintaining consistency and legibility.  The book highlights differences the stage manager may encounter when working on professional and academic productions.

  • Sales Rank: #59145 in Books
  • Published on: 2013-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 7.75" w x .75" l, 1.35 pounds
  • Binding: Paperback
  • 240 pages

Review

"[The Stage Manager’s Toolkit] provides an articulate and detailed guide through the stage management of a traditional theatrical production, complete with useful paperwork samples and up-to-date considerations of technology. [It] is a welcome addition to the small cannon of stage-management texts, building on previous works while providing a unique focus on the early career experience and the systematic development of strong communication skills.

This book will be beneficial to student stage managers engaged in production work and would make an excellent resource for introductory stage-management courses and early career professionals working without access to a full-time advisor...There is enough information in this book to support a novice through the basics of stage managing a full production. Additionally, The Stage Manager's Toolkit provides a good overview of stage management for interested nonspecialist staff and faculty members who teach or supervise young stage managers. No single book can ever completely encompass the possible permutations and idiosyncrasies of production that a stage manager navigates on a regular basis. Stage-management training requires practical experience working on productions. Theatre will always be a live and collaborative art; we all learn how to do it from one another, face-to-face, and in real time. But a guide such as Kincman's is a particularly accessible and supportive resource for novices to consult along the way." Jenny Slattery, Professional Stage Manager, Theatre Topics

''This aptly named "toolkit" is not just a how-to book on stage management. Kincman effectively draws on communication theory and practical experience to address effective organizational and communication strategies in the day-to-day duties of the stage manager in academic and professional venues. The text is concise in its survey of the stage manager's tasks - from preproduction to initial meetings with the director and staff, to auditions, rehearsals, previews, and opening night through to the final performance....Summing Up: Recommended.' R.A. Naversen, CHOICE

"Kincman leads you through the process from preproduction to performance, providing examples of challenges you may be presented, forms you can use, and useful insights from her experience as a professional stage manager and educator...One standout strength of Toolkit is its wealth of great examples of forms. High school and college stage managers often create all their paperwork from scratch, so having these templates is very helpful. From rehearsal reports to scene-shift plots, blocking notation guides to run sheets and cue lists, Kincman describes how each works and why each is used...Another highlight is the beginning of this book, where Kincman discusses communication. I love that Toolkit starts with communication. It is the base of everything I do as a stage manager and effective collaborator...this book gives you exactly what you need to better understand the role of a stage manager." Don Corathers, Dramatics

"Like an air traffic controller, the stage manager must juggle multiple responsibilities and communicate quickly and clearly. That's the idea behind Laurie Kincman's exceptional book...Kincman covers pre-production work, rehearsals, the tech period, performances and post-production duties. To this she adds strategies for sharing information in person, in writing and online, as well as customizable paperwork templates (via the book's accompanying website), and tips on improving the effectiveness and accessibility of essential reports, charts, and lists." Stephen Peithman, Stage Directions

"Stage managing can be an overwhelming job, so all the better to have techniques to tame it. This toolkit not only gives you the tools to do the job, but also illustrates exactly how to use them to become a proficient stage manager." Linda Apperson, Theatre Design & Technology

"This toolkit not only gives you the tools to do the job, but also illustrates exactly how to use them to become a proficient stage manager...It would be appropriate for undergraduates who have some experience stage managing and could certainly be useful as a text book. It would also be very helpful for an early career stage manager." - Linda Apperson, Theatre Design & Technology

About the Author

Laurie Kincman is a faculty member in the Department of Theatre Arts at the University of Wisconsin-La Crosse, heading the undergraduate emphases in stage management and arts administration. Her professional credits as a stage manager and production manager include work with the Old Globe Theatre, Malashock Dance & Company, Shakespeare Festival/LA, Opera Pacific, the California Ballet Company, American Stage Festival, and for choreographers Jessica Iwanson and Donald McKayle. Laurie is a member of the United States Institute for Theatre Technology, the Production Managers Forum, the Stage Managers Association, the Association for Arts Administration Educators, and Actors Equity Association.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great, modern teaching tool.
By Staci W
My first look through this book and I can tell you that I will use it for my next course on Stage Management. It even talks about formatting documents on the computer. The content is extremely relevant and up to date, which is difficult to find in a stage management book. So far so good.

0 of 0 people found the following review helpful.
Great book, very informative.
By Jessica
This is a great book for the beginning stage manager. I purchased it for a class and found it to be very helpful and insightful. It had some pretty useful templates to build paperwork off of, and had great information on the duties and expectations of the stage manager throughout the preproduction period, rehearsals, and performances. Some of the pictures and visuals seem outdated, but other than that, it is a great resource.

2 of 3 people found the following review helpful.
VERY SMALL BOOK, SMALL FAINT PRINT. BUMMER.
By Susan Parker
I guess the information in this book is good but the print is very light and very small. I wear contact lenses to bring my vision to normal and I still am having trouble reading it. I probably will end up returning it for this very reason. It's a SMALL book! 7 1/2" by 9 1/4". Bummer because I had it overnighted to me.

See all 8 customer reviews...

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[Y512.Ebook] PDF Download Fifty Shades Freed: Book Three of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James

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Fifty Shades Freed: Book Three of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James

MORE THAN 100 MILLION COPIES SOLD WORLDWIDE
FIFTY SHADES OF GREY IS NOW A MAJOR MOTION PICTURE

When unworldly student Anastasia Steele first encountered the driven and dazzling young entrepreneur Christian Grey it sparked a sensual affair that changed both of their lives irrevocably. Shocked, intrigued, and, ultimately, repelled by Christian’s singular erotic tastes, Ana demands a deeper commitment. Determined to keep her, Christian agrees.
 
Now, Ana and Christian have it all—love, passion, intimacy, wealth, and a world of possibilities for their future. But Ana knows that loving her Fifty Shades will not be easy, and that being together will pose challenges that neither of them would anticipate. Ana must somehow learn to share Christian’s opulent lifestyle without sacrificing her own identity. And Christian must overcome his compulsion to control as he wrestles with the demons of a tormented past.
 
Just when it seems that their strength together will eclipse any obstacle, misfortune, malice, and fate conspire to make Ana’s deepest fears turn to reality.

This book is intended for mature audiences.

  • Sales Rank: #1934 in Books
  • Brand: Random House
  • Model: 9780345803504
  • Published on: 2012-04-17
  • Released on: 2012-04-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x 1.02" w x 5.19" l, .84 pounds
  • Binding: Paperback
  • 592 pages
Features
  • Fifty Shades Freed

Review
THE NEW YORK TIMES BESTSELLING FIFTY SHADES Trilogy
 
"In a class by itself." 
—Entertainment Weekly

About the Author
E L James is a former TV executive, wife and mother of two based in West London. Since early childhood she dreamed of writing stories that readers would fall in love with, but put those dreams on hold to focus on her family and her career. She finally plucked up the courage to put pen to paper with her first novel, Fifty Shades of Grey.

Excerpt. © Reprinted by permission. All rights reserved.
PROLOGUE
 
Mommy! Mommy! Mommy is asleep on the floor. She has been asleep for a long time. I brush her hair because she likes that. She doesn’t wake up. I shake her. Mommy! My tummy hurts. It is hungry. He isn’t here. I am thirsty. In the kitchen I pull a chair to the sink, and I have a drink. The water splashes over my blue sweater. Mommy is still asleep. Mommy wake up! She lies still. She is cold. I fetch my blankie, and I cover Mommy, and I lie down on the sticky green rug beside her. Mommy is still asleep. I have two toy cars. They race by the floor where Mommy is sleeping. I think Mommy is sick. I search for something to eat. In the freezer I find peas. They are cold. I eat them slowly. They make my tummy hurt. I sleep beside Mommy. The peas are gone. In the freezer is something. It smells funny. I lick it and my tongue is stuck to it. I eat it slowly. It tastes nasty. I drink some water. I play with my cars, and I sleep beside Mommy. Mommy is so cold, and she won’t wake up. The door crashes open. I cover Mommy with my blankie. He’s here. Fuck. What the fuck happened here? Oh, the crazy fucked-up bitch. Shit. Fuck. Get out of my way, you little shit. He kicks me, and I hit my head on the floor. My head hurts. He calls somebody and he goes. He locks the door. I lay down beside Mommy. My head hurts. The lady policeman is here. No. No. No. Don’t touch me. Don’t touch me. Don’t touch me. I stay by Mommy. No. Stay away from me. The lady policeman has my blankie, and she grabs me. I scream. Mommy! Mommy! I want my mommy. The words are gone. I can’t say the words. Mommy can’t hear me. I have no words.
 
“Christian! Christian!” Her voice is urgent, pulling him from the depths of his nightmare, the depths of his despair. “I’m here. I’m here.”
 
He wakes and she’s leaning over him, grasping his shoulders, shaking him, her face etched with anguish, blue eyes wide and brimming with tears.
 
“Ana.” His voice is a breathless whisper, the taste of fear tarnishing his mouth. “You’re here.”
 
“Of course I’m here.”
 
“I had a dream . . .”
 
“I know. I’m here, I’m here.”
 
“Ana.” He breathes her name, and it’s a talisman against the black choking panic coursing through his body.
 
“Hush, I’m here.” She curls around him, her limbs cocooning him, her warmth leeching into his body, forcing back the shadows, forcing back the fear. She is sunshine, she is light . . . she is his.
 
“Please let’s not fight.” His voice is hoarse as he wraps his arms around her.
 
“Okay.”
 
“The vows. No obeying. I can do that. We’ll find a way.” The words rush out of his mouth in a tumble of emotion and confusion and anxiety.
 
“Yes. We will. We’ll always find a way,” she whispers, and her lips are on his, silencing him, bringing him back to the now.
 
 
CHAPTER ONE
 
I stare up through gaps in the sea-grass parasol at the bluest of skies, summer blue, Mediterranean blue, with a contented sigh. Christian is beside me, stretched out on a sun lounge. My husband—my hot, beautiful husband, shirtless and in cut-off jeans—is reading a book predicting the collapse of the Western banking system. By all accounts, it’s a page-turner. I haven’t seen him sit this still, ever. He looks more like a student than the hotshot CEO of one of the top privately owned companies in the United States.
 
On the final leg of our honeymoon, we laze in the afternoon sun on the beach of the aptly named Beach Plaza Monte Carlo in Monaco, although we’re not actually staying in this hotel. I open my eyes and gaze out at the Fair Lady anchored in the harbor. We are staying, of course, on board a luxury motor yacht. Built in 1928, she floats majestically on the water, queen of all the yachts in the harbor. She looks like a child’s wind-up toy. Christian loves her—I suspect he’s tempted to buy her. Honestly, boys and their toys.
 
Sitting back, I listen to the Christian Grey mix on my new iPod and doze in the late afternoon sun, idly remembering his proposal. Oh, his dreamy proposal in the boathouse . . . I can almost smell the scent of the meadow flowers . . .
 
-----
 
 
“Can we marry tomorrow?” Christian murmurs softly in my ear. I am sprawled on his chest in the flowery bower in the boathouse, sated from our passionate lovemaking.
 
“Hmm.”
 
“Is that a yes?” I hear his hopeful surprise.
 
“Hmm.”
 
“A no?”
 
“Hmm.”
 
I sense his grin. “Miss Steele, are you incoherent?”
 
I grin. “Hmm.”
 
He laughs and hugs me tightly, kissing the top of my head. “Vegas, tomorrow, it is then.”
 
Sleepily I raise my head. “I don’t think my parents would be very happy with that.”
 
He thrums his fingertips up and down my naked back, caressing me gently.
 
“What do you want, Anastasia? Vegas? A big wedding with all the trimmings? Tell me.”
 
“Not big . . . Just friends and family.” I gaze up at him, moved by the quiet entreaty in his glowing gray eyes. What does he want?
 
“Okay.” He nods. “Where?”
 
I shrug.
 
“Could we do it here?” he asks tentatively.
 
“Your folks’ place? Would they mind?”
 
He snorts. “My mother would be in seventh heaven.”
 
“Okay, here. I’m sure my mom and dad would prefer that.”
 
He strokes my hair. Could I be any happier?
 
“So, we’ve established where, now the when.”
 
“Surely you should ask your mother.”
 
“Hmm.” Christian’s smile dips. “She can have a month, that’s it. I want you too much to wait any longer.”
 
“Christian, you have me. You’ve had me for a while. But okay—a month it is.” I kiss his chest, a soft chaste kiss, and smile up at him.
 
 
-----
 
 
“You’ll burn,” Christian whispers in my ear, startling me from my doze.
 
“Only for you.” I give him my sweetest smile. The late afternoon sun has shifted, and I am under its full glare. He smirks and in one swift move pulls my sun lounge into the shade of the parasol.
 
“Out of the Mediterranean sun, Mrs. Grey.”
 
“Thank you for your altruism, Mr. Grey.”
 
“My pleasure, Mrs. Grey, and I’m not being altruistic at all. If you burn, I won’t be able to touch you.” He raises an eyebrow, his eyes shining with mirth, and my heart expands. “But I suspect you know that and you’re laughing at me.”
 
“Would I?” I gasp, feigning innocence.
 
“Yes, you would and you do. Often. It’s one of the many things I love about you.” He leans down and kisses me, playfully biting my lower lip.
 
“I was hoping you’d rub me down with more sunscreen.” I pout against his lips.
 
“Mrs. Grey, it’s a dirty job . . . but that’s an offer I can’t refuse. Sit up,” he orders, his voice husky. I do as I’m told, and with slow meticulous strokes from strong and supple fingers, he coats me in sunscreen.
 
“You really are very lovely. I’m a lucky man,” he murmurs as his fingers skim over my breasts, spreading the lotion.
 
“Yes, you are, Mr. Grey.” I gaze coyly up at him through my lashes.
 
“Modesty becomes you, Mrs. Grey. Turn over. I want to do your back.”
 
Smiling, I roll over, and he undoes the back strap of my hideously expensive bikini.
 
“How would you feel if I went topless, like the other women on the beach?” I ask.
 
“Displeased,” he says without hesitation. “I’m not very happy about you wearing so little right now.” He leans down and whispers in my ear. “Don’t push your luck.”
 
“Is that a challenge, Mr. Grey?”
 
“No. It’s a statement of fact, Mrs. Grey.”
 
I sigh and shake my head. Oh, Christian . . . my possessive, jealous, control freak Christian.
 
When he’s finished, he slaps my behind.
 
“You’ll do, wench.”
 
His ever-present, ever-active BlackBerry buzzes. I frown and he smirks.
 
“My eyes only, Mrs. Grey.” He raises his eyebrow in playful warning, slaps my backside once more, and sits back down on his lounger to take the call.
 
My inner goddess purrs. Maybe tonight we could do some kind of floor show for his eyes only. She smirks knowingly, arching a brow. I grin at the thought and drift back into my afternoon siesta.
 
 
“Mam’selle? Un Perrier pour moi, un Coca-Cola light pour ma femme, s’il vous plait. Et quelque chose a manger . . . laissezmoi voir la carte.”
 
Hmm . . . Christian speaking fluent French wakes me. My eyelashes flutter in the glare of the sun, and I find Christian watching me while a liveried young woman walks away, her tray held aloft, her high blonde ponytail swinging provocatively.
 
“Thirsty?” he asks.
 
“Yes,” I mutter sleepily.
 
“I could watch you all day. Tired?”
 
I flush. “I didn’t get much sleep last night.”
 
“Me neither.” He grins, puts down his BlackBerry, and stands. His shorts fall a little and hang . . . in that way so his swim trunks are visible beneath. Christian takes his shorts off, stepping out of his flip-flops. I lose my train of thought.
 
“Come for a swim with me.” He holds out his hand while I look up at him, dazed. “Swim?” he says again, cocking his head to one side, an amused expression on his face. When I don’t respond, he shakes his head slowly.
 
“I think you need a wake-up call.” Suddenly he pounces and lifts me into his arms while I shriek, more from surprise than alarm.
 
“Christian! Put me down!” I squeal.
 
He chuckles. “Only in the sea, baby.”
 
Several sunbathers on the beach watch with that bemused disinterest so typical, I now realize, of the French, as Christian carries me to the sea, laughing, and wades in.
 
I clasp my arms around his neck. “You wouldn’t,” I say breathlessly, trying to stifle my giggling.
 
He grins. “Oh, Ana, baby, have you learned nothing in the short time we’ve known each other?” He kisses me, and I seize my opportunity, running my fingers through his hair, grasping two handfuls and kissing him back while invading his mouth with my tongue. He inhales sharply and leans back, eyes smoky but wary.
 
“I know your game,” he whispers and slowly sinks into the cool, clear water, taking me with him as his lips find mine once more. The chill of the Mediterranean is soon forgotten as I wrap myself around my husband.
 
“I thought you wanted to swim,” I murmur against his mouth.
 
“You’re very distracting.” Christian grazes his teeth along my lower lip. “But I’m not sure I want the good people of Monte Carlo to see my wife in the throes of passion.”
 
I run my teeth along his jaw, his stubble tickly against my tongue, not caring a dime for the good people of Monte Carlo.
 
“Ana,” he groans. He wraps my ponytail around his wrist and tugs gently, tilting my head back, exposing my throat. He trails kisses from my ear down my neck.
 
“Shall I take you in the sea?” he breathes.
 
“Yes,” I whisper.
 
Christian pulls away and gazes down at me, his eyes warm, wanting, and amused. “Mrs. Grey, you’re insatiable and so brazen. What sort of monster have I created?”
 
“A monster fit for you. Would you have me any other way?”
 
“I’ll take you any way I can get you, you know that. But not right now. Not with an audience.” He jerks his head toward the shore.
 
What?
 
Sure enough, several sunbathers on the beach have aban-doned their indifference and now regard us with interest. Suddenly, Christian grabs me around my waist and launches me into the air, letting me fall into the water and sink beneath the waves to the soft sand below. I surface, coughing, spluttering, and giggling.
 
“Christian!” I scold, glaring at him. I thought we were going to make love in the sea . . . and chalk up yet another first. He bites his lower lip to stifle his amusement. I splash him, and he splashes me right back.
 
“We have all night,” he says, grinning like a fool. “Laters, baby.” He dives beneath the sea and surfaces three feet away from me, then in a fluid, graceful crawl, swims away from the shore, away from me.
 
Gah! Playful, tantalizing Fifty! I shield my eyes from the sun as I watch him go. He’s such a tease . . . what can I do to get him back? While I swim to the shore, I contemplate my options. At the lounges our drinks have arrived, and I take a quick sip of Diet Coke. Christian is a faint speck in the distance.
 
Hmm . . . I lie down on my front and, fumbling with the straps, take my bikini top off and toss it casually onto Christian’s sun lounge. There . . . see how brazen I can be, Mr. Grey. Put this in your pipe and smoke it. I shut my eyes and let the sun warm my skin . . . warm my bones, and I drift away under its heat, my thoughts turning to my wedding day.
 
 
-----
 
 
“You may kiss the bride,” Reverend Walsh announces.
 
I beam at my husband.
 
“Finally, you’re mine,” he whispers and pulls me into his arms and kisses me chastely on the lips.
 
I am married. I am Mrs. Christian Grey. I am giddy with joy.
 
“You look beautiful, Ana,” he murmurs and smiles, his eyes glowing with love . . . and something darker, something hot. “Don’t let anyone take that dress off but me, understand?” His smile heats a hundred degrees as his fingertips trail down my cheek, igniting my blood.
 
Holy crap . . . How does he do this, even here with all these people staring at us?
 
I nod mutely. Jeez, I hope no one can hear us. Luckily Reverend Walsh has discreetly stepped back. I glance at the throng gathered in their wedding finery . . . My mom, Ray, Bob, and the Greys are all applauding—even Kate, my maid of honor, who looks stunning in pale pink as she stands beside Christian’s best man, his brother Elliot. Who knew that even Elliot could scrub up so well? All wear huge, beaming smiles—except Grace, who weeps graciously into a dainty white handkerchief.
 
“Ready to party, Mrs. Grey?” Christian murmurs, giving me his shy smile. I melt. He looks divine in a simple black tux with silver waistcoat and tie. He’s so . . . dashing.
 
“Ready as I’ll ever be.” I grin, a totally goofy smile on my face.
 
Later the wedding party is in full swing . . . Carrick and Grace have gone to town. They have the tent set up again and beautifully decorated in pale pink, silver, and ivory with its sides open, facing the bay. We have been blessed with fine weather, and the late afternoon sun shines over the water. There’s a dance floor at one end of the tent, a lavish buffet at the other.
 
Ray and my mother are dancing and laughing with each other. I feel bittersweet watching them together. I hope Christian and I last longer. I don’t know what I’d do if he left me. Marry in haste, repent at leisure. The saying haunts me.
 
Kate is beside me, looking so beautiful in her long silk gown. She glances at me and frowns. “Hey, this is supposed to be the happiest day of your life,” she scolds.
 
“It is,” I whisper.
 
“Oh, Ana, what’s wrong? Are you watching your mom and Ray?”
 
I nod sadly.
 
“They’re happy.”
 
“Happier apart.”
 
“You’re having doubts?” Kate asks, alarmed.
 
“No, not at all. It’s just . . . I love him so much.” I freeze, unable or unwilling to articulate my fears.
 
“Ana, it’s obvious he adores you. I know you had an unconventional start to your relationship, but I can see how happy you’ve both been over the past month.” She grasps my hands, squeezing them. “Besides, it’s too late now,” she adds with a grin.
 
I giggle. Trust Kate to point out the obvious. She pulls me into a Katherine Kavanagh Special Hug. “Ana, you’ll be fine. And if he hurts one hair on your head, he’ll have me to answer to.” Releasing me, she grins at whoever is behind me.
 
“Hi, baby.” Christian puts his arms around me, surprising me, and kisses my temple. “Kate,” he acknowledges. He’s still cool toward her even after six weeks.
 
“Hello again, Christian. I’m off to find your best man, who happens to be my best man, too.” With a smile to us both, she heads over to Elliot, who is drinking with her brother, Ethan, and our friend José.
 
“Time to go,” Christian murmurs.
 
“Already? This is the first party I’ve been to where I don’t mind being the center of attention.” I turn in his arms to face him.
 
“You deserve to be. You look stunning, Anastasia.”
 
“So do you.”
 
He smiles, his expression heating. “This beautiful dress becomes you.”
 
“This old thing?” I blush shyly and pull at the fine lace trim of the simple, fitted wedding dress designed for me by Kate’s mother. I love that the lace is just off the shoulder—demure, yet alluring, I hope.
 
He bends and kisses me. “Let’s go. I don’t want to share you with all these people anymore.”
 
“Can we leave our own wedding?”
 
“Baby, it’s our party, and we can do whatever we want. We’ve cut the cake. And right now, I’d like to whisk you away and have you all to myself.”
 
I giggle. “You have me for a lifetime, Mr. Grey.”
 
“I’m very glad to hear that, Mrs. Grey.”
 
“Oh, there you two are! Such lovebirds.”
 
I groan inwardly . . . Grace’s mother has found us.
 
“Christian, darling—one more dance with your grandma?”
 
Christian purses his lips. “Of course, Grandmother.”
 
“And you, beautiful Anastasia, go and make an old man happy—dance with Theo.”
 
“Theo, Mrs. Trevelyan?”
 
“Grandpa Trevelyan. And I think you can call me Grandma. Now, you two seriously need to get working on my great-grandkids. I won’t last too much longer.” She gives us both a simpering smile.
 
Christian blinks at her in horror. “Come, Grandmother,” he says, hurriedly taking her hand and leading her to the dance floor. He glances back at me, practically pouting, and rolls his eyes.
 
“Laters, baby.”
 
As I walk toward Grandpa Trevelyan, José accosts me.
 
“I won’t ask you for another dance. I think I monopolized too much of your time on the dance floor as it is . . . I’m happy to see you happy, but I’m serious, Ana. I’ll be here . . . If you need me.”
 
“José, thank you. You’re a good friend.”
 
“I mean it.” His dark eyes shine with sincerity.
 
“I know you do. Thank you, José. Now if you’ll please excuse me—I have a date with an old man.”
 
He furrows his brow in confusion.
 
“Christian’s grandfather,” I clarify.
 
He grins. “Good luck with that, Annie. Good luck with everything.”
 
“Thanks, José.”
 
After my dance with Christian’s ever-charming grandfather, I stand by the French doors, watching the sun sink slowly over Seattle, casting bright orange and aquamarine shadows across the bay.
 
“Let’s go,” Christian urges.
 
“I have to change.” I grasp his hand, meaning to pull him through the French windows and upstairs with me. He frowns, not understanding, and tugs gently on my hand, halting me.
 
“I thought you wanted to be the one to take this dress off,” I explain. His eyes light up.
 
“Correct.” He gives me a lascivious grin. “But I’m not undressing you here. We wouldn’t leave until . . . I don’t know . . .” He waves his long-fingered hand, leaving his sentence unfinished but his meaning quite clear.
 
I flush and let go of his hand.
 
“And don’t take your hair down either,” he murmurs darkly.
 
“But—”
 
“No buts, Anastasia. You look beautiful. And I want to be the one to undress you.”
 
Oh. I frown.
 
“Pack your going-away clothes,” he orders. “You’ll need them.
 
Taylor has your main suitcase.”
 
“Okay.” What has he got planned? He hasn’t told me where we’re going. In fact, I don’t think anyone knows where we’re going.
 
Neither Mia nor Kate has managed to inveigle the information out of him. I turn to where my mother and Kate are hovering nearby.
 
“I’m not changing.”
 
“What?” my mother says.
 
“Christian doesn’t want me to.” I shrug as if this should explain everything. Her brow furrows briefly.
 
“You didn’t promise to obey,” she reminds me tactfully. Kate tries to disguise her snort as a cough. I narrow my eyes at her. Neither she nor my mother have any idea of the fight Christian and I had about that. I don’t want to rehash that argument. Jeez, can my Fifty Shades sulk . . . and have nightmares. The memory
is sobering.
 
“I know, Mom, but he likes this dress, and I want to please him.”
 
Her expression softens. Kate rolls her eyes and tactfully moves away to leave us alone.
 
“You look so lovely, darling.” Carla gently tugs at a loose tendril of my hair and strokes my chin. “I am so proud of you, honey. You’re going to make Christian a very happy man.” She pulls me into a hug.
 
Oh, Mom!
 
“I can’t believe how grown-up you look right now. Beginning a new life . . . Just remember that men are from a different planet, and you’ll be fine.”
 
I giggle. Christian is from a different universe, if only she knew.
 
“Thanks, Mom.”
 
Ray joins us, smiling sweetly at both Mom and me.
 
“You made a beautiful baby girl, Carla,” he says, his eyes glowing with pride. He looks so dapper in his black tux and pale pink waistcoat. Tears prick the backs of my eyes. Oh no . . . so far I have managed not to cry.
 
“And you watched her and helped her grow up, Ray.” Carla’s voice is wistful.
 
“And I loved every single minute. You make one hell of a bride, Annie.” Ray tucks the same loose strand of hair behind my ear.
 
“Oh, Dad . . .” I stifle a sob, and he hugs me in his brief, awkward way.
 
“You’ll make one hell of a wife, too,” he whispers, his voice hoarse.
 
When he releases me, Christian is back at my side.
 
Ray shakes his hand warmly. “Look after my girl, Christian.”
 
“I fully intend to, Ray. Carla.” He nods at my stepdad and kisses my mom.
 
The rest of the wedding guests have formed a long human arch for us to travel through, leading around to the front of the house.
 
“Ready?” Christian says.
 
“Yes.”
 
Taking my hand, he leads me under their outstretched arms while our guests shout good luck and congratulations and shower us with rice. Waiting with smiles and hugs at the end of the arch are Grace and Carrick. They hug and kiss us both in turn. Grace is emotional again as we bid them hasty good-byes.
 
Taylor is waiting to whisk us away in the Audi SUV. As Christian holds the car door open for me, I turn and toss my bouquet of white and pink roses into the crowd of young women that has gathered. Mia triumphantly holds it aloft, grinning from ear to ear.
 
As I slide into the SUV, laughing at Mia’s audacious catch, Christian bends to gather the hem of my dress. Once I’m safely in, he bids the waiting crowd farewell.
 
Taylor holds the car door open for him. “Congratulations, sir.”
 
“Thank you, Taylor,” Christian replies as he seats himself beside me.
 
As Taylor pulls away, our wedding guests shower the vehicle with rice. Christian grasps my hand and kisses my knuckles.
 
“So far so good, Mrs. Grey?”
 
“So far so wonderful, Mr. Grey. Where are we going?”
 
“Sea-Tac,” he says simply and smiles a sphinxlike smile.
 
Hmm . . . what is he planning?
 
Taylor does not head for the departure terminal as I expect but through a security gate and directly onto the tarmac. What? And then I see her—Christian’s jet . . . Grey Enterprises Holdings, Inc. in large blue lettering across her fuselage.
 
“Don’t tell me you’re misusing company property again!”
 
“Oh, I hope so, Anastasia.” Christian grins.
 
Taylor halts the Audi at the foot of the steps leading up to the plane and leaps out to open Christian’s door. They have a brief discussion, then Christian opens my door—and rather than stepping back to give me room to climb out, he leans in and lifts me.
 
Whoa! “What are you doing?” I squeak.
 
“Carrying you over the threshold,” he says.
 
“Oh.” Isn’t that supposed to be at home?
 
He carries me effortlessly up the steps, and Taylor follows with my small suitcase. He leaves it on the threshold of the plane before returning to the Audi. Inside the cabin, I recognize Stephan, Christian’s pilot, in his uniform.
 
“Welcome aboard, sir. Mrs. Grey.” He grins.
 
Christian puts me down and shakes Stephan’s hand. Beside Stephan stands a dark-haired woman in her—what? Early thirties? She’s also in uniform.
 
“Congratulations to you both,” Stephan continues.
 
“Thank you, Stephan. Anastasia, you know Stephan. He’s our captain today, and this is First Officer Beighley.”
 
She blushes as Christian introduces her and blinks rapidly. I want to roll my eyes. Another female completely captivated by my too-handsome-for-his-own-good husband.
 
“Delighted to meet you,” gushes Beighley. I smile kindly at her. After all—he is mine.
 
“All preparations complete?” Christian asks them both as I glance around the cabin. The interior is all pale maple and pale cream leather. It’s lovely. Another young woman in uniform stands at the other end of the cabin—a very pretty brunette.
“We have the all clear. Weather is good from here to Boston.”
 
Boston?
 
“Turbulence?”
 
“Not before Boston. There’s a weather front over Shannon that might give us a rough ride.”
 
Shannon? Ireland?
 
“I see. Well, I hope to sleep through it all,” says Christian matter-of-factly.
 
Sleep?
 
“We’ll get underway, sir,” Stephan says. “We’ll leave you in the capable care of Natalia, your flight attendant.” Christian glances in her direction and frowns, but turns to Stephan with a smile.
 
“Excellent,” he says. Taking my hand, he leads me to one of the sumptuous leather seats. There must be about twelve of them in total.
 
“Sit,” he says as he removes his jacket and undoes his fine sliver brocade vest. We sit in two single seats facing each other with a small, highly polished table between us.
 
“Welcome aboard, sir, ma’am, and congratulations.” Natalia is at our side, offering us each a glass of pink champagne.
 
“Thank you,” Christian says, and she smiles politely at us and retreats to the galley.
 
“Here’s to a happy married life, Anastasia.” Christian raises his glass to mine, and we clink. The champagne is delicious.
 
“Bollinger?” I ask.
 
“The same.”
 
“The first time I drank this it was out of teacups.” I grin.
 
“I remember that day well. Your graduation.”
 
“Where are we going?” I’m unable to contain my curiosity any longer.
 
“Shannon,” Christian says, his eyes alight with excitement. He looks like a small boy.
 
“In Ireland?” We’re going to Ireland!
 
“To refuel,” he adds, teasing.
 
“Then?” I prompt.
 
His grin broadens and he shakes his head.
 
“Christian!”
 
“London,” he says, gazing intently at me, trying to gauge my reaction.
 
I gasp. Holy cow. I thought maybe we’d be going to New York or Aspen or maybe the Caribbean. I can hardly believe it. My lifetime ambition has been to visit England. I’m lit up from within, incandescent with happiness.
 
“Then Paris.”
 
What?
 
“Then the South of France.”
 
Whoa!
 
“I know you’ve always dreamed of going to Europe,” he says softly. “I want to make your dreams come true, Anastasia.”
 
“You are my dreams come true, Christian.”
 
“Back at you, Mrs. Grey,” he whispers.
 
Oh my . . .
 
“Buckle up.”
 
I grin and do as I’m told.

Most helpful customer reviews

26879 of 27959 people found the following review helpful.
Did a teenager write this???
By meymoon
I really don't like writing bad reviews. I admire people who have the courage to put pen to paper and expose themselves to the whole world, especially those writing erotica. Having just finished this book, however, I feel compelled to write a review.

About half way through the book, I looked up the author to see if she was a teenager. I really did because the characters are out of a 16 year old's fantasy. The main male character is a billionaire (not a millionaire but a billionaire) who speaks fluent French, is basically a concert level pianist, is a fully trained pilot, is athletic, drop dead gorgeous, tall, built perfectly with an enormous penis, and the best lover on the planet. In addition, he's not only self made but is using his money to combat world hunger. Oh yeah, and all of this at the ripe old age of 26! And on top of that, he's never working. Every second is spent having sex or texting and emailing the female character. His billions seem to have just come about by magic. It seriously feels like 2 teenage girls got together and decided to create their "dream man" and came up with Christian Grey.

Then come the sex scenes. The first one is tolerable but as she goes on, they become so unbelievable that it becomes more laughable than erotic. She orgasms at the drop of a hat. He says her name and she orgasms. He simply touches her and she orgasms. It seems that she's climaxing on every page.

Then there's the writing. If you take out the parts where the female character is blushing or chewing her lips, the book will be down to about 50 pages. Almost on every single page, there is a whole section devoted to her blushing, chewing her lips or wondering "Jeez" about something or another. Then there's the use of "shades of". He's "fifty shades of @#$%% up," "she turned 7 shades of crimson," "he's ten shades of x,y, and z." Seriously?

The writing is just not up to par, the characters are unbelievable, and the sex verges on the comical. I don't know what happens in the remaining books and I do not intend to read them to find out. But given the maturity level of the first book, I imagine that they get married, have 2 perfect children, cure world hunger, and live happily ever after while riding into the sunset, as the female character climaxes on her horse causing her to chew her bottom lip and blush fifty shades of crimson. Jeez!

17973 of 18820 people found the following review helpful.
Bestseller? Really???
By DS from LA
I enjoy erotica and heard so much about this book that I had to give it a shot, but I'm five chapters in and just can't take it anymore. This has to be the most appallingly atrocious writing I've ever seen in a major release. The pseudonymous British author sets the action (such as it is) in Washington State... for no reason than that her knowledge of America apparently consists of what she read in "Twilight"... but the entire first-person narrative is filled with Britishisms. How many American college students do you know who talk about "prams," "ringing" someone on the phone, or choosing a "smart rucksack" to take "on holiday"? And the author's geography sounds like she put together a jigsaw puzzle of the Pacific Northwest while drunk and ended up with several pieces in the wrong place.

And oh, the repetition...and the repetition...and the repetition. I'm convinced the author has a computer macro that she hits to insert one of her limited repertoire of facial expressions whenever she needs one. According to my Kindle search function, characters roll their eyes 41 times, Ana bites her lip 35 times, Christian's lips "quirk up" 16 times, Christian "cocks his head to one side" 17 times, characters "purse" their lips 15 times, and characters raise their eyebrows a whopping 50 times. Add to that 80 references to Ana's anthropomorphic "subconscious" (which also rolls its eyes and purses its lips, by the way), 58 references to Ana's "inner goddess," and 92 repetitions of Ana saying some form of "oh crap" (which, depending on the severity of the circumstances, can be intensified to "holy crap," "double crap," or the ultimate "triple crap"). And this is only part one of a trilogy...

If I wrote like that, I'd use a pseudonym too.

Like some other reviewers, what I find terribly depressing is that this is a runaway bestseller and the movie rights are expected to sell for up to $5 million. There are so many highly talented writers in the genre... and erotica is so much more erotic when the author has a command of the language and can make you care about the characters. For examples, check out the "Beauty" trilogy written by Anne Rice under the pen name A.N. Roquelaure, or any stories by Donna George Storey or Rachel Kramer Bussel. Just stay away from this triple crap.

*UPDATE*: Thanks to the many other perturbed readers who have shared their own choices of the most annoyingly overused phrases in this masterpiece. Following up on their suggestions with my ever-useful Kindle search function, I have discovered that Ana says "Jeez" 81 times and "oh my" 72 times. She "blushes" or "flushes" 125 times, including 13 that are "scarlet," 6 that are "crimson," and one that is "stars and stripes red." (I can't even imagine.) Ana "peeks up" at Christian 13 times, and there are 9 references to Christian's "hooded eyes," 7 to his "long index finger," and 25 to how "hot" he is (including four recurrences of the epic declarative sentence "He's so freaking hot."). Christian's "mouth presses into a hard line" 10 times. Characters "murmur" 199 times, "mutter" 49 times, and "whisper" 195 times (doesn't anyone just talk?), "clamber" on/in/out of things 21 times, and "smirk" 34 times. Christian and Ana also "gasp" 46 times and experience 18 "breath hitches," suggesting a need for prompt intervention by paramedics. Finally, in a remarkable bit of symmetry, our hero and heroine exchange 124 "grins" and 124 "frowns"... which, by the way, seems an awful lot of frowning for a woman who experiences "intense," "body-shattering," "delicious," "violent," "all-consuming," "turbulent," "agonizing" and "exhausting" orgasms on just about every page.

7547 of 8079 people found the following review helpful.
Not the worst I've ever read... No, wait. It IS.
By Ebeth822
I downloaded the book to my Kindle because it was on the best seller list and had 4 stars overall rating on Amazon. I wish I'd taken the time to read some of the reviews. As it turns out I agree with the negative.
I found myself thinking "Twilight, plus some spanking, minus the sparkly vampires." Here, I'll save you all some time (SPOILER ALERT):

Once upon a time...
I'm Ana. I'm clumsy and naive. I like books. I dig this guy. He couldn't possibly like me. He's rich. I wonder if he's gay? His eyes are gray. Super gray. Intensely gray. Intense AND gray. Serious and gray. Super gray. Dark and gray. [insert 100+ other ways to say "gray eyes" here]
I blush. I gasp. He touches me "down there." I gasp again. He gasps. We both gasp. I blush some more. I gasp some more. I refer to my genitals as "down there" a few more times. I blush some more. Sorry, I mean I "flush" some more. I bite my lip. He gasps a lot more. More gasping. More blushing/flushing. More lip biting. Still more gasping.
The end.

The bad:
It was an interesting concept - for a romance novel. However the story is weak, the pace is slow and awkward, the characters come through as more schizophrenic than complicated, the "romance" is a juvenile and dysfunctional crush, and the "erotic" scenes alternate between Penthouse Forum and something that sounds like it was written by a painfully shy and sheltered 13 year old. I have now read through some of the rave reviews and I have to assume that these were posted by people easily shocked and/or titillated. I can't imagine what fans are comparing this to when they describe this as "good."

The good:
Nice cover art.

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Fifty Shades Freed: Book Three of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James PDF