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The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War, by Caroline Alexander
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"Spectacular and constantly surprising."
-Ken Burns
Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of Western civilization. As she did in The Endurance and The Bounty, New York Times bestselling author Caroline Alexander has taken apart a narrative we think we know and put it back together in a way that lets us see its true power. In the process, she reveals the intended theme of Homer's masterwork-the tragic lessons of war and its enduring devastation.
- Sales Rank: #210713 in Books
- Published on: 2010-09-28
- Released on: 2010-09-28
- Original language: English
- Number of items: 1
- Dimensions: 8.41" h x .71" w x 5.53" l, .57 pounds
- Binding: Paperback
- 320 pages
Review
"In her spectacular and constantly surprising new book, Caroline Alexander has taken the 'original' war book and turned it upside down, making it, as all wars are, an excruciating story of loss...The War that Killed Achilles is a triumph."
-Ken Burns
"This riveting tale of ancient wars, legendary warriors, and mythical gods is at once a great adventure story and a cautionary tale of the enduring perils of hubris and ego. Achilles' life and death are instructive lessons for all of us today."
-Tom Brokaw
"Spirited and provocative...a nobly bold even rousing venture...it would be hard to find a faster, livelier, more compact introduction to such a great range of recent Iliadic explorations."
-Steve Coates, The New York Times
"Penetrating...reflecting her own skills [Alexander] provides her own translation of an entire chapter...a real bonus for the reader, comparing favorably with Lattimore and Fagles."
-Boston Globe
Review
"In her spectacular and constantly surprising new book, Caroline Alexander has taken the 'original' war book and turned it upside down, making it, as all wars are, an excruciating story of loss...The War that Killed Achilles is a triumph."
-Ken Burns
"This riveting tale of ancient wars, legendary warriors, and mythical gods is at once a great adventure story and a cautionary tale of the enduring perils of hubris and ego. Achilles' life and death are instructive lessons for all of us today."
-Tom Brokaw
"Spirited and provocative...a nobly bold even rousing venture...it would be hard to find a faster, livelier, more compact introduction to such a great range of recent Iliadic explorations."
-Steve Coates, The New York Times
"Penetrating...reflecting her own skills [Alexander] provides her own translation of an entire chapter...a real bonus for the reader, comparing favorably with Lattimore and Fagles."
-Boston Globe
About the Author
Caroline Alexander has written for The New Yorker, Granta, Condé Nast Traveler, Smithsonian, Outside, and National Geographic and is the author of four previous books.
Most helpful customer reviews
145 of 148 people found the following review helpful.
Not what I expected, but not in a bad way
By Andrew Berschauer
Because I failed to "read the label" when I picked this book up, I had the completely wrong impression that "The War that Killed Achilles" was going to be a historical rendering of the real Trojan War. I didn't know there was enough information for a true history on this topic, so off I went to the library.
It didn't take long, even for me, to realize that this was an interpretation of The Iliad. Appropriately, as fate would have it, I'd had Homer's Iliad and Odyssey sitting on my bookshelf for well over a year. Many good intentions to crack the cover sat next to these works, collecting just as much dust as my handsome 2-volume set complete with stylish cardboard box. I admit it - I had been too intimidated to start them given the length, my experience with Euripides and Sophocles in high school, and the fact I had almost no context for these classics.
Enter Caroline Alexander stage right. Not only does Ms Alexander provide her interpretation of the key themes of The Iliad in simple enough language that I can follow, she provides the context which would make an actual attempt at reading The Iliad possible. Homer's many references to the mindset of 8th Century BC Greeks and contemporary (read: also really old) works would have been completely lost on me, and the accumulation very likely would have left me hating myself for trying.
I'm not well-read in the classics, but I now feel like I have some minimum degree of context to give The Iliad the ol' college try - it doesn't seem quite as intimidating as it did a few days ago. I hope a companion volume entitled "The Voyage that let Odysseus' Dinner Grow Cold" follows.
As of this writing there is one 1-star review which abuses Ms Alexander for wasting the reviewer's time with trivial information about The Iliad. That reviewer, obviously very learned in this subject matter, is not Ms Alexander's intended audience... I am.
52 of 52 people found the following review helpful.
A different look at the Trojan War
By Amazon Customer
The Iliad's Trojan War has always been portrayed as a war unlike any other war. A war full of opportunities for glory, bravery, loyalty, a personal fulfillment of destiny... But Caroline Alexander, with deft scholarship, shows that there has been a misreading of the Iliad, purposefully, that in the past could convince and justify young men going to war. Think of the generations of British school boys reading the Greeks (certainly prior to World War I) and being told that there was glory in war. Alexander shows that, instead, the Iliad actually shows the sadness and loss, the irremedial end of things that comes with war. And using the text, she shows that the main players are aware of it, too.
In addition, this book has a wealth of information in the footnotes. I never knew, for example, that Paris was Alexandu of Wilusa (probably, maybe) in Hittite documents. That piece of trivia will serve me well in many a discussion of the Trojan War :) . But seriously, it IS interesting that she places the war in the context of its era, and discusses many aspects of Greece and eastern coast of Turkey during that period.
I bought this book as an impulse buy at an airport bookstore, and might never have found it otherwise. That is a shame because it is a truly interesting and well written book that will please both the scholar and the general reader like myself.
72 of 78 people found the following review helpful.
Alexander's Main Theory Dies Too
By J. Moran
Author Alexander's main points in this book seem to be that war is cruel, vicious and senseless, that most of those fighting in one have no personal reason to be fighting, little idea what the war is about and would rather not be risking their lives, that they are often following orders that seem to make no sense, that war leaders may be inept, that many lives (mostly young ones) will be brutally snuffed out and that there are few real winners in war. While certainly worthy of frequent repetition, these are commonplace observations.
In addition, she believes that the "Iliad" is not about the epic glory of war at all but is instead a deeply ironic antiwar work that has been misunderstood for nearly thirty centuries. This is her central idea and is a far from commonplace observation, but it requires evidence and careful argument to establish. Alexander fails to provide these.
Indeed Alexander does not attempt to make a systematic argument in support of her insight. She relies instead on scattered textual passages from the poem and other classical sources to support her point.
Thus, for example, she looks repeatedly to a few passages in which Achilles himself states that he has no personal reason to fight the Trojans and would rather be waging peace at home than war at Troy. Two such passages are referenced more than once: One is Achilles' statement to the effect that he would advise other Greek warriors to sail home and live in peace. The other is a statement from the "Odyssey" in which Achilles' ghost in the underworld tells Odysseus that he (Achilles) would rather be alive as someone's serf than be king of the underworld. Alexander also makes much of what she sees as Achilles' supposed challenge to Agamemnon's status as leader of the Greeks.
To these Alexander adds numerous references to highly realistic, pull-no-punches descriptions of pitiable death in battle, many involving characters who are sympathetic and appealing (Hektor not least among them). She also quotes occasional materials from ancient commentators and poets to the effect that both sides were ruined by the Trojan War.
Such scattered and selective references do not make the case, at least for me, especially since Alexander ignores passages that do not support her. In the first place, the quarrel between Achilles and Agamemnon is never over policy or even generalship. It is about an insult to Achilles' honor. Moreover, not only does Achilles make no effort whatever to seize power, he does not even try to persuade anyone else to support him in his withdrawal of himself and his Myrmidons from battle. Moreover, he gets his mother to obtain Zeus' promise to let the Trojans press the Greeks nearly to destruction so that his return to battle will be desperately needed and will therefore not only repair his honor but enhance it. Achilles is concerned deeply with glory and honor and has no serious intention of abandoning the war. Nothing could stop him from sailing home, but he never attempts to do it.
Nor do the awful battlefield deaths refute this picture. The Iliad is fully aware of the horrors of war and does not prettify death and destruction in the slightest. Yet only Thersites tries to provoke mutiny and no one makes any serious effort to force the leaders to make peace. Thersites is the character who clearly argues that "glory" is an empty term and that death in this war is senseless and without value. Not only does he attract no support, he seems to be universally despised in the Greek army and is beaten senseless for his pains.
Alexander notes that no one dies well or happily in the Iliad. No one is rewarded for their valor and there is no heaven to receive them. But the Greeks had no heaven to receive anyone. The Greek "afterlife" consisted of a fragment of a human being with no memory and very limited awareness of any kind. No ordinary mortals received any rewards in the afterlife. I suspect that most ancient Greeks (a few philosophers aside) would find the very notion of dying well, let alone happily, inconceivable.
It seems to me that the Iliad, while fully sensible of the horrors of war, is equally at ease with the idea that glory, even undying glory, may be found there.
So while Alexander's favored theory must to my mind be regarded as, at best, not proven, I think the book is worth reading as an excellent introduction to the power and richness of the Iliad. Alexander is knowledgeable not only about the Iliad itself but about the works of lesser poets who wrote epic cycles of the Trojan War. She knows the works of Hesiod, of commentators and of other early Greek writers as well. Alexander writes clearly and engagingly and imparts her knowledge without condescending to less informed readers. Overall this is an informative and entertaining book that offers something to anyone even remotely interested in the Homeric epics.
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